As 2019 draws to a close, it's time to take a look back at the albums that shaped the country and Americana music world. Newcomers and legends alike released some of the best work in decades, making it a sonically pleasing banner year for listeners. January saw the release of Cody Johnson's "Ain't Nothin' To It," his first on a major label and fifth album to date. Artists transitioning from indie to mainstream often lose their sound, however, Johnson is as solid as country gold. Top tracks include "Fence Posts," "Understand Why," "Where Cowboys Are King," "Dear Rodeo," and the stunning "Monday Morning Merle."
"Girl" dropped in March from powerhouse Texas vocalist and songwriter Maren Morris. The title track and lead single anthem lit an emotional fire that burned all the way to the top of the country charts in August. Despite being a mostly pop collection, music is beautiful in that it can move us regardless of genre. Morris manages to balance that sentiment well with standouts "Common" (with Brandi Carlile), "Gold Love," "Great Ones," and "Good Woman."
As summer faded into fall, it was with great anticipation The Highwomen released their self-titled debut. Billing themselves a movement more than a band, the quartet of Brandi Carlile, Natalie Hemby, Maren Morris, and Amanda Shires made undoubtedly the best album of 2019. Every song is a knockout, a rarity these days as many artists rely on singles to propel their careers. Each member of the band has a unique voice and blended together, it's pure magic. Standout tunes include the title track (a reworking of the original "Highwaymen" featuring guests Yola and Sheryl Crow), "Redesigning Women," "Crowded Table," "Old Soul," "Don't Call Me," and the haunting "Wheels Of Laredo."
November brought the return of Miranda Lambert with the raucous and infectious "Wildcard." Lambert has always been a little bit country with a side of rock and roll and she straddles the fence once again with 14 tunes that are unexpected but refreshing. Notable rollicking tracks include the wild duet with Maren Morris "Way Too Pretty For Prison," "Locomotive," and "Mess With My Head." However, the pensive melodies win here including "Settling Down," "Bluebird," "Fire Escape," "Dark Bars," "Track Record" and the unforgettable "Tequila Does."
Red Dirt/Americana favorites Micky & The Motorcars' seventh studio album "Long Time Comin'" also dropped last month. There's an overall theme of home found in the 11 songs, a departure from the road weary ballads of their past endeavors. Key tracks include "Road To You," "Rodeo Girl," "All Looks The Same," and "Thank My Mother's God."
